Organic Architecture · Est. 2010 · Los Angeles, CA

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FRANK LLOYD WRIGHT JOHN LAUTNER CONCRETE LOS ANGELES ABOUT CONTACT PRIVACY POLICY

Concrete Canvas

Materials — Concrete Construction


Concrete Canvas: Fabric That Becomes Structure

Concrete Canvas is a cement-impregnated fabric that hardens on hydration to form a thin, durable, waterproof, and fireproof concrete layer. The material ships and stores flat, requires no mixing or formwork, and cures within 24 hours of wetting. What began as a university research project in 2005 — originally conceived as a rapidly deployable disaster shelter — has grown into a proven infrastructure product used in erosion control, canal lining, slope protection, and flood prevention across more than 100 countries.

The product line, manufactured in Wales by Concrete Canvas Ltd., is now categorized as a Geosynthetic Cementitious Composite Mat (GCCM) — a material class the company effectively invented. Their third-generation CCX product line has expanded the technology into agricultural irrigation infrastructure, where canal seepage loss is a major global water management problem.

The architectural dimension of this material lies in what Munich-based industrial designer Florian Schmid recognized early: the tension between concrete’s hardness and the softness of the fabric form it arrives in. His Stitching Concrete project — a series of stools, benches, and chairs made by folding, stitching, and hydrating Concrete Canvas over a demountable wooden mold — exploits that contradiction directly. The finished pieces read as draped fabric. They are, in fact, structural concrete.

Florian Schmid, Stitching Concrete — stool forms in Concrete Canvas, 2011

Chair and bench forms — each piece sewn, hung on a wooden rack, and watered to cure in 24 hours

Schmid developed the process at Hochschule München, building a demountable wooden rack to hold the material at tension during the curing process. The exposed seams are stitched with brightly colored thread — blue, red, or yellow — which both reinforces the joint and reads as craft artifact against the material’s industrial origin. The completed objects are UV-resistant, fireproofed, and waterproof; the concrete substrate is indifferent to the elements.

The project was exhibited during Milan Design Week 2012 at Plusdesign Gallery under the title The Threads That Bind Us. It remains a useful demonstration of what happens when a material developed for military and civil engineering encounters a designer trained to think about form, touch, and process — the result has nothing to do with the intended use case, and everything to do with how the material actually behaves.


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